Some Thoughts on the Philosophy of Recording Acoustic Guitars (and a last bit of tracking)

Much earlier along in this process, I wrote a longer post about the acoustic tracking process and how this album will differ from how I approached guitars for "Zero Mantra." Mostly, this was a change from stereo to mono recording: Over time, I gradually had a change of heart here. Stereo acoustic recordings make a …

Continue reading Some Thoughts on the Philosophy of Recording Acoustic Guitars (and a last bit of tracking)

I just found a few pictures of an Ibanez RG7CST I used to own

I actually forgot I still had pictures of this one, but while transferring pictures from my old recording computer to my new one this January, I stumbled across a "CST" folder. I won't lie, most of these aren't great pictures, and even the newest are 20 years old; technology wasn't as good, I was a …

Continue reading I just found a few pictures of an Ibanez RG7CST I used to own

November Update: One More Song, and Some Rewriting

Writing this after spending my daughter's nap re-recording a clean harmony line (sort of? It's unison, but its a clean echo of a distorted lead line) to make sure the intonation was really right (which is sometimes tricky with different guitars, especially when one is a Strat with an adjustable bridge but the other is …

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Quick Update: Arrangements, and The Right Guitar For The Job

Very quick update today, as I'm mostly re-learning the melodies and solo for another song at the moment, and figuring out what to do about a fill that wasn't in the demo but really should have been. "Ghost Dance" was originally conceived of as sort of an Andy Timmons-like three-piece, with bass, drums, and a …

Continue reading Quick Update: Arrangements, and The Right Guitar For The Job